The Truth Commissioner (preview at QFT on 1 Feb and Q&A with director Declan Recks)

The Truth Commissioner poster CannesDavid Park’s 2008 novel The Truth Commissioner explored through fiction some of the issues Northern Ireland would face if it adopted a South Africa-style truth commission. More than that it highlighted perennial legacy issues that would have to be resolved as part of any legacy project. As well as the potential to establish the truth (or more truth), unpicking even one incident or death would send very unwelcome ripples through multiple communities, destabilising families as well as governments.

The book has been adapted by Eoin O’Callaghan for the big screen and the Queen’s Film Theatre is previewing the political thriller on Monday evening (1 February) at 6.30pm as part of their BFI/Film Hub NI Made in Belfast season. Roger Allam plays the career diplomat appointed as Truth Commissioner. I’ll be hosting a Q&A after the screening with the director Declan Recks.

Reviewing the book back in February 2008 – around the time that the Eames/Bradley Commission were locked away writing their report – I (stupidly) commented:

The gestation period of most books is probably closer to that of an elephant than a child! So an author could have a great idea that is sadly overtaken by events and diminished by the time it’s edited, proofed, published and distributed to high-street bookstores and online retailers.

David Park has struck it lucky. Northern Ireland is sitting at the painted give way line waiting to drive out onto the roundabout of dealing with our past. Yet everyone is wondering what exit to take, what road we should journey down to try to uncover the truth behind events in the conflict. Indeed, some are wondering whether to go all the way around the roundabout and just head home along the road in which we came.

Eight years later and sadly the screenplay is still well ahead of Northern Ireland’s political reality.

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Along with Monday night’s screening – and the range of local archive film that has been digitised on BFI Player – you can catch a selection of other NI films in the QFT’s short Made in Belfast season:

  • Friday 29 January (6.30pm) – Made in Belfast + Q&A with writer/director Paul Kennedy
  • Saturday 30 January (6.30pm) – 1946 film noir cult classic Odd Man Out + short film The Death of A Projectionist
  • Sunday 31 January (6pm) – Belfast Shorts
  • Monday 1 February (6.30pm) – The Truth Commissioner + Q&A with director Declan Recks
  • Tuesday 2 February (6.30pm) – Mickybo & Me + BAFTA award-winning short film Boogaloo and Graham
  • Wednesday 3 February (6.30pm) – Good Vibrations + extract from Shellshock Rock
  • Thursday 4 February (6.30pm) – Battle of the Bone + short film Introducing Brian
  • Saturday 6 February (2.30pm) – Belfast on Film selection from NI Screen’s Digital Film Archive

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  • Kevin Breslin

    A peice of fiction should always carry the disclaimer it cannot offer people the truth. There is nothing ahead of the people offering fiction as a better alternative to truth.

    To me it is more nobel to suffer demanding the truth and failing that to suffer that a fiction of a Northern Ireland consenting to move on is being ignored and winning.

    It comes across as a shallow belief that those who want to leave the past behind are bigger victims than those who have had their futures destroyed by the Troubles.

    I hope these people who fear the victims are holding up the future, take their own advice and move on from their victim hood, they are part of the problem not the solution.

  • aquifer

    Our local truths are pretty ghastly, judging by the pieces of the jigsaw already in plain view, this despite the concealment practiced by both sides. Having small numbers of skilled people manage some truths quietly while over a million people are set free to forget neglect and forgive is not an option to be cast away recklessly. Some demanded and insisted by their armed actions that we be shocked, but we are free to choose not to be shocked again when we have all agreed that our political conflicts should be talked out not fought out.

  • Leon O’Searcach

    I enjoyed the movie immensely…